Home The name «drum and bass» does not mean that tracks consist only of these elements. Nevertheless, they are the most important elements and make the most part of tracks. In a genre the great attention is taken away to a deep bass which is felt physically at listening. Many experiments with a timbre in a bass zone, especially in tek-stepe have been made. To [correct] Environment Mainly, dramas-end-bejs is the form of a dance music intended for listening in night clubs. The genre uses all frequency range and физичность which often cannot be estimated completely on the house equipment at listening on small loudness. According to the name, the bass element is strongly allocated, unlike other genres of a dance music. Therefore for full perception of music the special sound equipment which, as a rule, is established in night clubs is required. Because of the "club" nature of dramas-end-bejs reaches public first of all thanks to DJs. As the majority of tracks are written for easy data by the DJ, their structure reflects mission: there are introductory and final parts (English intro, outro), used for битмэтчинга and not intended for detailed perception listeners. Usually the DJ makes data so that not to lose continuous bit. Besides, the DJ can use typical for hip-hopa receptions: скрэтчи, double дропы (where two tracks are reduced so that do дроп during the same moment) and ривайнды. The majority of points of data begin or come to an end there where occurs дроп. Дроп - the place where there is a considerable change of a rhythm or a bass, and after occurs an exit брейкбита. Often дроп use for transition between tracks, reducing components of various tracks. Some дропы so are popular that the DJ rewinds a plate and loses дроп again. However, this technics should not be abused, as it breaks a set continuity.