Home There is a set of sights that makes "present" dramas-end-bejs. Opinions disperse because of existence of a great number of styles, from "heavy" tek-stepa to "soft" likvid-fanka. Dramas-end-bejs compare to a jazz where within the limits of one genre it is possible to hear the music sounding absolutely differently. Besides, now dramas-end-bejs is more approach and tradition, rather than style. Proceeding from the aforesaid, difficult precisely to describe sounding of dramas-end-bejsa, but it is possible to allocate key features. To [correct] Defining characteristics To [correct] Brejkbit Брейкбит is a main defining element of dramas-end-bejsa. From the musical point of view брейкбит it is characterised by a broken rhythm, a syncope element, unlike "a direct" 4-shock rhythm (so-called «a straight line flanks») in a techno, трансe and a house. The majority брейкбитов directly undertake (сэмплируются) or the blues and a jazz are made of shock parties in old records of genres соул, фанк. Actually "break" concerns that part of a song where there is no vocal and there is an accent on a rhythm and bit. Though, from the middle 90 set of producers use тустеп or others брейкбиты, grouped from separate shock samples which are similar on сэмплированные, but usually sound more rigidly. Also it is frequent брейкбиты are created with use both technician.