Home Prominent feature of dramas-end-bejsa also is that the majority of producers (authors of compositions) also are DJs, and the majority of DJs write music. To [correct] From a jungle through an ass and few times on a company taking to dramas-end-bejsu Then, when has appeared интеллиджент, the ragga-jungle has passed in heavier, shock style, хардстеп, and also in a jump-ap which styles hip-hop and фанк (examples - executors Mickey Finn and Aphrodite with label Urban Takeover influenced, and also Ganja Kru with label True Playaz) while other producers advanced "softer" moods (the compositions executed in such mood, often call scooters (English rollers)). In 1996, хардстеп and a jump-ap were very popular in clubs while sounding интеллиджента first of all has been focused on house listening in quiet conditions. Styles of dramas-end-bejsa more and more dispersed, but at the same time mixed up with other genres. In 1997 funk focused, контрабасовый the sound has moved to the forefront, having achieved success in мэйнстриме (an example - executor Roni Size, label Reprazent). To [correct] the Birth текстепа From an opposite side popularity began to win new, "dark" a techno-sound in the dramas-end-bejse, supported by labels Emotif, No U-Turn and such producers, as Trace, Nico, Ed Rush and Optical, Dom and Roland and Technical Itch - the style usually named техстепом (English techstep). Техстеп took new sounds and technologies and has applied them to a jungle. This style is characterised by gloomy, fantastic atmosphere and sounds, "cold" and difficult shock, and also "a dark", strong bass.