Home In musical practice of the East up to now there is a tradition when professional musicians become keepers of a folk art (India, Africa, the countries of the near and average east) with its deeply sensual emotional orientation (that has almost absolutely lost and the European music where the intellectual beginning dominates hesitates). If east composers who are engaged in electronic music it it becomes valid the phenomenon universal continue to bear this high mission. It is interesting that long before sew an era in the east ideas expressed the music covering всe sound space. Here is how the representative of this culture, the Chinese religious philosopher Chzhuan-Tszy (IV BC) describes such music: "... I have again played, having connected a melody to a natural life. Sounds followed randomly, is shapeless, as if in thickets of a melody of wood. Spreading widely, but without being stretched, twilight, vague, almost silent, it did not proceed anywhere, being late in deep darkness. One named еe dying, others - a birth. One - a fruit, others - flowering. In movement, in a current it dissipated, moved, without adhering to the constant. The world in it doubted, giving wise еe to study... Listen attentively - sounds of this music you will not hear, the form еe you will not see, having peered, the sky will fill, will fill also the earth, six poles embracing itself!".