Home "Abroad occurrence of electronic music has coincided with occurrence of an avant-garde wing in модернистической to music. It has affected in whirlpool of struggle of schools of the modern art and has turned not so much to a direction of musical technics, how many in the school of the is musical-aesthetic sense which has adjoined the left wing of avant-gardism" (E.A.Murzin: "the Aesthetics of electronic music"). In Germany Darmshtadtsky, Кeльнская, Baden-Badenskaja schools of electronic music, taking for a basis Anton's serial technics a background of Veberna, have come to idea of the total organisation of all sound material where to each of making the composition an element (up to a separate overtone) in a timbre it is fixed strictly определeнная (purely математически calculated) system of dynamics, heights, time. Such element would not get to what situation, its "characteristic" always остаeтся the invariable. In such approach composers of these schools saw unique possibility of development of that huge sound world which was opened by electronic music. At the beginning of the activity composers of the named schools used almost exclusively sinusoidal tones which, without having clearly expressed acoustic communications (are not present additional sounds of overtones), as well as possible met the requirements of the selected system.