Home The composer, working on the synthesizer score, assimilates to the artist. It tints, retouches, erases and puts new code drawings, immediately carrying out the acoustical control of received result. On score glass it is possible to develop absolutely unusual sounds on spectra. The device having system of memory, can remember such workings out and subsequently use them. Without having restrictions in timbres and their changes "АНС" allows to use in compositions artificial voices and noise of possible structures. By a recognition of domestic and foreign experts this tool allowed to carry out process of synthesis of a sound successfully. "The Moscow studio of electronic music" had in своeм the order not only a synthesizer "АНС", in 1972 it has got a latest model of the big English synthesizer of firm "Taylor" - "Sinti-100" ("Sinty-100") which under the block diagramme and the possibilities was very close to "Mugu" and also possessed all its advantages. Distinctive feature of "Sinti-100" was presence of system of memory, the truth small eмкости - to 256 units. Switching of all electronic blocks on the traditional keyboard gave to devices of such design определeнные advantages before "АНСом" in sense of efficiency and to purely technical moments. But "АНС" surpassed all other synthesizers almost unlimited polyphony and possibility of strictly scientific synthesis (knowing spectral structure of its timbre it was possible to reproduce precisely on the device score) while on synthesizers of type "Mug" and "Sinti" polyphony depended on quantity of the connected manuals (причeм on everyone it was possible only одноголосие), and synthesis has been almost latent from the composer and supervised only by hearing (it occurred путeм sets of operations to various controls - buttons, toggle-switches, switches etc.) . However, the reproduction problem on them многоголосной musical "fabric" was facilitated by the computer or "memory" of the device where each of voices consistently registered, and from a memory exit already received polyphony was transferred to the tape recorder. Here pertinently to remind that всe it occurred ещe when the polyphonic synthesizer was only in the project and the principle of work and execution on нeм ещe was not known.