Home Unusable means are not present, it is important as they are realised. Certainly, the composer working in the field of electronic music should own freely еe means and is confident (within possibilities defined with level of technics of today) them to operate. They should become its essence, the thinking form if want, but is final "At bases of new music the new technics and technology, and new thinking, art consciousness" (J lies not. Cage). In the mid-fifties studios of electronic music began to improve the technical base. In them attempt to localise all electronic devices mentioned above in one tool - a synthesizer operated directly the composer without the aid of technicians or other personnel without which in the studios which did not have such devices it was impossible to manage has been made. In 1955 the company "Radio corporation of America" (R.C.A.) the beginnings under the project of the composer, the executor and engineer-designer Oscar Sala work on creation of an electronic synthesizer "Mark I". It could imitate the majority of traditional tools and to this day the records made on нeм, classical products, than new musical compositions are more known.