Home It is necessary to notice also that the modern technics allows the composer to assimilate приeмы the organisations peculiar to traditional music: polyphonic, homophonic and "newest" (пуантилизм, алеаторика, сонористика, etc.). When on means judge advantage of the composition and even about ideological orientation of a direction such position cannot promote correct understanding of the phenomenon in any way, and in определeнных conditions can result (and how many time resulted) to тяжeлым to consequences. It is enough to recollect time when the tool the saxophone, not to mention a jazz, was in the Soviet Russia a synonym of bourgeois art. (In a science the same sad story has happened with cybernetics, and in biology with the genetic theory). And what venomous remarks and bad laughter met, become already classical, John Cage's compositions for the prepared grand piano. Here already in general almost anybody, behind very rare exception, did not wish to listen to music. All saw only those adaptations with which help this greatest composer of the present executed the products. About what perception of art how not about "Kitsch" there can be here a speech?