Home Приeмы which the composer on the modern technics uses at creation of electronic compositions, sometimes name senseless manipulations, tricks, etc., seeing in them only aimless mixture of various sounds - musical and not musical, giving curious phonic effect. With the same success it is possible to present any products for an orchestra as formal mixture of every possible timbres. Yes, sometimes these means are specific enough and unusual to the musician and is frequent they and are the cause for negation and a starting point in reasonings on electronic music as about a direction antihumane, having for an object to shock, injure listeners and representing it. Thus it is impossible to deny that the similar phenomena всe exist, however it is not necessary to extend them to all directions of electronic music. As an example of "negative" music Max Nejgauza's some compositions about which the author speaks so can serve: "Me the process offering an explanation how it is possible for the musician applying an improbable technical complex interests, not to create anything suitable for the listener".