Home During the stay of existence of the Moscow studio of electronic music (1967-1980), in a studio building the spherical hall equipped with a sound barrier and separate динамиками, being behind the back of listeners has been constructed, and for spatial distribution of a sound on channels the special device - "stereobackground" with which help the composer could move already during execution a sound in any conceivable directions and combinations has been designed. Thus electronic music began to have ещe one then it is enough таки unique means of aesthetic influence - possibility to create artificial forms of a sound field. Experiences of a geometrically-spatial lay-out of the composition showed that composers rather variously solved this problem. So Pierre Bulez (1925 своe the composition "Poetry for the Power" builds as a sound spiral extending in space. K.Shtokhauzen sees perfect conditions for execution of the compositions in the closed sphere where a sound шeл from all points of a premise, as though immersing the listener in these elements.