Home In these studios timbres and sound complexes or were created by means of consecutive installation on a magnetic tape, a method of imposing of each of making two elements, or simultaneous inclusion of any considerable quantity of generators, причeм each of which was adjusted on определeнную frequency and level of loudness of modulators and other devices. Here is how the Polish musicologist Miroslav Kondratsky very precisely describes this process: "the Technics of creation of compositions was originally a hard labour. The separate moments registered in a magnetic tape, creating a different dynamic profile of these components in time, then they were synchronised, причeм simultaneously it was necessary to watch cumulative effect parametres. Now"остаeтся"only the general компановка structures - a dynamic profile, sound prospect, reverberation, then if it is required"to shade"a sound noise additional sounds, to add nonharmonic additional sounds, again correcting thus dynamic parities, to construct the general bending around (форманта in time) and, at last, we receive.... One (!) The structure, which time of sounding there can be all some seconds. The structure created thus, it is frequent ещe too little difficult and еe it is necessary to enrich with the spectrum phase-shifter - a combination of any frequencies to bearing frequency, the ring modulator (ring modulator), dynamic selection.... Installation of all material on a recorder tape and, at last, if we will recollect that electronic products are used in a multivoice-frequency variant we will receive almost full picture of difficulties what the composer in the work "faces more often.