Home Timbre "skeleton" can be not only обертоновый a spectrum, but also any sound complex so constructed and located that it gathers in "monolith" and sounds as a difficult voice. An example of such elementary гармониетембра is the bell. Thus, all immense world of sounds in the nature is formed of various combinations pure - sinusoidal tones. This pure tone is "a building material" electronic music, and the composer thereby has received new possibility in development of sound space - possibility without restrictions to compose and create timbres. The formal, constructive and emotional organisation of product thus can reach level unknown to traditional music. It is possible to imagine the composition where the structure of any timbre in a miniature concludes всe the composition - and its dynamic development (соотносимое with the beginning and attenuation of the unique sound), and its rhythmic organisation as details, and parts whole (соотносимая or with модуляционными processes, or with a measure of palpation of a timbre), and, at last, purely thematic development (соотносимое with the chosen law of occurrence of all elements of a timbre - time and очерeдность occurrences of overtones, noise additional sounds and т. д. . Such взаимообусловности Anton a background of Vebern (1883-1945) achieved all components of the composition. To same the polyphonic school - from a minimum quantity of elements aspired also, путeм processing settling them (but at the same time not lost a certain initial shape) to construct lingering enough product.