Home The history of electronic music should be considered in two aspects: in respect of purely ideological еe formations and in sense of creation of expressive means and toolkit for at first these two ways developed independently from each other. Причeм it is necessary to take into consideration that speech идeт about Especially European phenomenon in art as ретроспективно now it is possible to see that music and the East aesthetics have resolved for a long time already some problems, statement and which development in Europe became possible only with a birth of a new, investigated direction. It - first of all the frets which are not keeping within ours темперацию, using more thin, than a semitone, intervals; the timbres which were earlier considered "not musical" (for example, the Kirghiz national tool "temir-komuz" to which characteristic sounding classes of some synthetic sounds are rather close); questions of purely formal and time structures. For example, improvisations on ситаре the Indian musicians as though stopping time that is reached for счeт its organisations as a certain uniform sound stream-wave of type, not расчленeнного it is discrete on rhythmic structures of periodic character (that is a basis of modern European music). In the sixties our century some European composers have created a number of compositions essentially rather close to a similar method. It, for example, George Ligetti's composition (the river 1923) "Atmospheres", Pjarta - "Perpetum Mobile".