Home Allow to bring to your attention Edward Nikolaevicha Artemyev's lecture "Notes about electronic music", посвящeнную to the most interesting layer of the modern art - electronic and electro-acoustic music. Emotionally the mankind proves in various spheres of art and its directions, incessantly expanding a circle and searches of new expressive means. In music, in a sense, this process has begun with heightened interest of the person to all physical phenomena, various environments using fluctuation (streams of columns of air, a plate, a string), process which was embodied further in construction and perfection of musical instruments. From this point of view quite naturally that attention which a number of engineers and musicians on appeared in the beginning of the XX-th century have turned the device - the electric generator of sound fluctuations. Works and researches have in the field led to a birth new - "electronic" - directions that has shown the third (the brightest and not having precedent) after Iogana Sebastjana Bach (1685-1750) and (1874-1951) revolution in music - Bach has convincingly confirmed Arnold Шeнберга, offered in the beginning of a XVIII century mathematician Verkmejsterom темперацию, and Шeнберг "has abolished" ладовые gravitations. However if both these events in any way did not break already developed relations between composers and executors, toolkit and, at last, coverage of sound space the technics of record and sound synthesis has opened prospect of creation of essentially new music, about which possibility of existence, nobody could even assume ещe 45 years ago. However this question cannot решeн be unequivocal: the first composition using the new technics, has been created in 1948 by known French composer Pierre Shefferom (1910-1995), but ещe in 30th years of idea of such music its not less known compatriot Edgar Varez (1885-1965) stated.